Kehinde Wiley Redefines African Leadership in ‘A Maze of Power’

American artist Kehinde Wiley unveiled a series of large-format portraits of African leaders in Morocco earlier this month, building on his now famous 2018 portrait of former U.S. President Barack Obama sitting casually amid a wild cascade of leaves and flowers.

His exhibition, entitled “A Maze of Power,” opened at the Mohammed VI Museum of Modern and Contemporary Art in Rabat, Morocco’s capital, after previously showing in Paris and Dakar, Senegal. The artwork borrows from classical easel painting techniques, posing African leaders in a style mainly associated with European royalty and aristocracy.

The maze "is a series of daily challenges of how to wield that power, how to negotiate their offices," Wiley said. In one portrait, Hery Rajaonarimampianina, former president of Madagascar, is depicted sitting confidently astride a horse. And Alassane Ouattara, president of Ivory Coast, is seen clenching his brow as he grips a sword in his right hand.

"It's about them and their personal decisions. And if we pull really far back, it's about the representation of power for hundreds of years that starts in Western Europe," Wiley told The Associated Press at the opening of his exhibition.

“A Maze of Power” arrived in Morocco seven months after first showing at Paris’ Musée du Quai Branly — Jacques Chirac. It’s part of the Moroccan museum’s efforts to become a hub for African art ahead of the next year’s opening of the Museum of the African Continent, across the street in Rabat.

Wiley said that after his Obama portrait, he was able to leverage his connections to gain audiences with leaders from across Africa and persuade them to sit for him. In addition to Obama’s, the portraits also echo Wiley’s earlier works, in which young Black men appear in poses most associated with paintings of kings and generals.

Showing his would-be subjects a book full of classical paintings to draw inspiration from, Wiley said he prepares for painting by taking hundreds of photographs of each leader and then placing them in settings both real and abstract.

Although he wanted to show political power, the leaders’ individual political choices were not relevant to the series, Wiley said.

The leaders depicted include some marred by corruption scandals and others who ignored presidential term limits and repressed protestors. There are also two whose militaries are fighting each other in eastern Congo: Rwanda’s President Paul Kagame and Congo’s President Felix Tshisekedi.